FADE IN:
INT. BUS - AFTERNOON
A bus carrying only a few passengers speeds down a highway.
There’s a young woman, MARIE, with a child, ANDY, sitting
towards the front. An old man sleeping soundly in the
middle, across from two teenagers, a boy and a girl. And
finally, a young man, THOMAS, at the very back of the bus.
He’s sleeping and his face is obscured by shaggy hair and a
baseball cap. The bus driver announces that they are
approaching the final stop and the awake passengers begin
to gather their things. The commotion awakens the old man
and he too begins gathering his things.
Cut to: A close up of THOMAS, the view slides down to one of
his hands in his lap, an opened envelope dangles from his
fingers, threatening to drop to the floor.
Cut to: MARIE getting ready to get off the bus, she realizes
she left something behind, curses, and goes back to retrieve
it.
BUS DRIVER
Can you wake up Rumplestiltskin
back there?
Cut to: A close up of the MARIE’s face as her eyebrows knit
with confusion, she turns to call back to him.
MARIE
I think you mean Rip Van Winkle.
BUS DRIVER
Who?
MARIE
Nevermind.
MARIE gathers her son’s bag and goes back to wake up the
sleeping young man. She rouses him gently and his grip on
the letter, unconsciously, tightens. He thanks her, gathers
his things and follows her from the bus. Once she’s off she
bends down to button up her son’s coat and put the rest of
his winter apparel back on.
ANDY
I’m cold.
MARIE
I know baby, but you’ll be all warm
in a minute. Promise.
Cut to: THOMAS opening up the envelope and pulling a letter
out of it, he flips it over and reads the address on the
back. He looks around for a minute before deciding to ask
for directions, he stops the bus driver from closing the
doors.
THOMAS
Hey! I’m sorry but can you tell me
where I can find this address?
He hands the page to the bus driver and the bus driver scans
it quickly. He sighs and tells THOMAS no.
THOMAS
Thanks anyways.
Cut to: Marie and her son setting off. Thomas spots them
and calls out to them. Marie turns around and ANDY
instinctively clings to her leg. She smiles at him and
assures him that everything is okay.
THOMAS
Excuse me ma’am, I was just
wondering if you could tell me
where I could find this address.
THOMAS hands her the page and she reads the address, she
thinks about it for a minute and then something clicks.
MARIE
Yeah, I know the place. But it’s
been closed up for ages, nothing
left but boarded up windows and
caution tape.
THOMAS
I know, but it doesn’t matter.
MARIE
Well then the place you’re looking
for is in my direction. If you
want, you can walk with me and
boobie here.
ANDY
Mommy don’t call me that.
MARIE
Okay sweety.
ANDY
You said that last time.
MARIE
I forgot, mommy’s old, mommies
forget things when they get old.
Yeah just walk with us and I’ll
show you the way. My name’s Marie
by the way.
THOMAS
Thanks; and I’m Thomas, but you can
call me Tom, if you want.
They begin walking.
THOMAS
You look pretty young for a mom.
MARIE
I get that a lot, there’s no
wrinkle good botox can’t fix.
THOMAS
Really?
MARIE
No. I’m a young mom, only
twenty-seven. Andy here, is
eight. So I’ve still got some good
years left in me. How old are you?
THOMAS
I’m twenty-five.
MARIE
So what’s got you going to that old
disaster? You’re not a crackhead
are you? I hear they like to hide
out in abandoned buildings.
They both laugh.
THOMAS
No, I’m not a crackhead. I’m a
storyteller, would you care to hear
one?
MARIE
Like a writer? Sure, I’m always up
for a good story.
ANDY
I wanna hear a story!
MARIE
Oh Christ. It’s brat-friendly
right? I can’t really deal with
explaining the birds and the bees
or anything particularly gruesome
yet.
THOMAS
It’s definitely kid-friendly, it’s
almost like a fairy-tale.
ANDY
I hope somebody gets eaten.
MARIE glares at ANDY, THOMAS laughs.
THOMAS
Sort of. So, there’s this
beautiful woman named Eurydice, she
was the most beautiful woman anyone
had ever laid eyes on.
As THOMAS tells the story, a flashback occurs, illustrating
what THOMAS is saying in a modern setting. There’s a young
woman, ELIANA,and THOMAS is playing a harmonica and watching
her from afar, while she rejects a suitor.
THOMAS (VO)
She had men and even a couple women
who fell in love with her just by
seeing her. But she wasn’t
interested in any of them, she was
already in love with someone. The
young man she loved was a musician
names Orpheus, he played music that
lifted people’s spirits, and she
was his inspiration.
ANDY (VO)
When is somebody going to get
eaten?
MARIE (VO)
Andrew, be polite and listen to the
story. Sorry.
THOMAS (VO)
It’s fine. Anyways, they fell in
love and they were going to get
married, but one man didn’t want
them to be happy. He wanted
Eurydice for himself, so he pursued
her relentlessly, trying to force
himself on her. When she ran, she
accidentally stepped on a venomous
snake, it attacked her, and she lay
there suffering until somebody
found her. Before they could get
her the help she needed though, she
died. Orpheus, became so depressed
that he played music that broke
hearts and made people weep. So
The gods told him to go and fetch
her soul from the underworld.
Cut to: THOMAS proposing to ELIANA and them embracing as she
accepts.
Cut to: A montage of the two of them making preparations for
their wedding.
Cut to: ELIANA walking home one night.
Cut to: A man following her, a close up on his face reveals
it to be her rejected suitor.
Cut to: ELIANA being chased by the man. He tackles her and
proceeds to violate her. He leaves her lying in her own
blood.
Cut to: A man finding the attacked young woman and getting
her to a hospital. She is saved, but broken, changed.
Cut to: ELIANA having nightmare’s and her mind
deteriorating.
Cut to: THOMAS crying and playing a piano and a friend
trying to comfort him.
ANDY (VO)
Awesome!
THOMAS (VO)
You bet buddy; so Orpheus went to
the underworld and encountered the
three-headed dog Cerberus and
lulled him to sleep by playing him
a song. Then he played his music
for The king and queen of the
underworld, and they offered him
the chance to have her back. They
told him to walk from the
underworld and Eurydice would
follow him. But there was a catch,
he wasn’t allowed to see her until
he was completely out of the
underworld.
ANDY (VO)
But then how would he know she was
there?
THOMAS (VO)
He had to have faith. So he left.
He walked and played music so that
she’d know where to follow him, he
was able to not look until they
made it to the threshold of the
underworld, but his faith had begun
to waver and he decided to turn
back and look. When he did he
watched as her spirit faded away,
back to the underworld as she
whispered his name.
Cut to: A montage of THOMAS visiting ELIANA in a mental
hospital multiple times. He tries to comfort her and plays
her music, which seems to bring her back little by little.
Cut to: THOMAS coming to the hospital and finding various
officials there, police, coroners, the nurses.
Cut to: THOMAS seeing ELIANA’S body hanging from a homemade
noose.
Cut to: THOMAS breaking down.
The flashback ends and ANDY is looking up at THOMAS
expectantly.
ANDY
And then what? He lost her
forever? What a dummy! He
shouldn’t have looked!
MARIE
Andrew be quiet.
THOMAS
No, it’s okay, Orpheus, should’ve
known better. He should’ve waited.
They’ve arrived in front of MARIE and ANDY’S apartment
building and they come to a stop.
MARIE
Well this, is us. It was really
nice meeting you, Tom.
THOMAS
Thanks for taking me this far, it
was great having the company.
MARIE
To find the building you’re looking
for just keep going down this
street and make a right, you’re
there.
THOMAS
Thank you, really. Take care.
He begins to walk away. Marie calls out to him.
MARIE
Hey! If you’re going to be in town
for a while, give me a call, I’d
wouldn’t mind hearing any other
stories you’ve got.
She gives Thomas her phone number.
THOMAS
Thanks, I’ll give you a call.
THOMAS sets off down the street. He goes where MARIE told
him to and he stops in front of the building. It’s
dilapidated and filthy. The once white walls, are covered
in dirt and grime, and the boards are breaking and falling
apart, as is the caution tape that billows in the wind.
THOMAS pulls the letter out of it’s envelope and reads it
over again. He starts crying as he looks between the letter
and the building.
THOMAS
I miss you so much, I’m sorry
Eliana.
FADE OUT
FADE IN:
INT. BUS - AFTERNOON
A bus carrying only a few passengers speeds down a highway.
There’s a young woman, MARIE, with a child, ANDY, sitting
towards the front. An old man sleeping soundly in the
middle, across from two teenagers, a boy and a girl. And
finally, a young man, THOMAS, at the very back of the bus.
He’s sleeping and his face is obscured by shaggy hair and a
baseball cap. The bus driver announces that they are
approaching the final stop and the awake passengers begin
to gather their things. The commotion awakens the old man
and he too begins gathering his things.
Cut to: A close up of THOMAS, the view slides down to one of
his hands in his lap, an opened envelope dangles from his
fingers, threatening to drop to the floor.
Cut to: MARIE getting ready to get off the bus, she realizes
she left something behind, curses, and goes back to retrieve
it.
BUS DRIVER
Can you wake up Rumplestiltskin
back there?
Cut to: A close up of the MARIE’s face as her eyebrows knit
with confusion, she turns to call back to him.
MARIE
I think you mean Rip Van Winkle.
BUS DRIVER
Who?
MARIE
Nevermind.
MARIE gathers her son’s bag and goes back to wake up the
sleeping young man. She rouses him gently and his grip on
the letter, unconsciously, tightens. He thanks her, gathers
his things and follows her from the bus. Once she’s off she
bends down to button up her son’s coat and put the rest of
his winter apparel back on.
ANDY
I’m cold.
MARIE
I know baby, but you’ll be all warm
in a minute. Promise.
Cut to: THOMAS opening up the envelope and pulling a letter
out of it, he flips it over and reads the address on the
back. He looks around for a minute before deciding to ask
for directions, he stops the bus driver from closing the
doors.
THOMAS
Hey! I’m sorry but can you tell me
where I can find this address?
He hands the page to the bus driver and the bus driver scans
it quickly. He sighs and tells THOMAS no.
THOMAS
Thanks anyways.
Cut to: Marie and her son setting off. Thomas spots them
and calls out to them. Marie turns around and ANDY
instinctively clings to her leg. She smiles at him and
assures him that everything is okay.
THOMAS
Excuse me ma’am, I was just
wondering if you could tell me
where I could find this address.
THOMAS hands her the page and she reads the address, she
thinks about it for a minute and then something clicks.
MARIE
Yeah, I know the place. But it’s
been closed up for ages, nothing
left but boarded up windows and
caution tape.
THOMAS
I know, but it doesn’t matter.
MARIE
Well then the place you’re looking
for is in my direction. If you
want, you can walk with me and
boobie here.
ANDY
Mommy don’t call me that.
MARIE
Okay sweety.
ANDY
You said that last time.
MARIE
I forgot, mommy’s old, mommies
forget things when they get old.
Yeah just walk with us and I’ll
show you the way. My name’s Marie
by the way.
THOMAS
Thanks; and I’m Thomas, but you can
call me Tom, if you want.
They begin walking.
THOMAS
You look pretty young for a mom.
MARIE
I get that a lot, there’s no
wrinkle good botox can’t fix.
THOMAS
Really?
MARIE
No. I’m a young mom, only
twenty-seven. Andy here, is
eight. So I’ve still got some good
years left in me. How old are you?
THOMAS
I’m twenty-five.
MARIE
So what’s got you going to that old
disaster? You’re not a crackhead
are you? I hear they like to hide
out in abandoned buildings.
They both laugh.
THOMAS
No, I’m not a crackhead. I’m a
storyteller, would you care to hear
one?
MARIE
Like a writer? Sure, I’m always up
for a good story.
ANDY
I wanna hear a story!
MARIE
Oh Christ. It’s brat-friendly
right? I can’t really deal with
explaining the birds and the bees
or anything particularly gruesome
yet.
THOMAS
It’s definitely kid-friendly, it’s
almost like a fairy-tale.
ANDY
I hope somebody gets eaten.
MARIE glares at ANDY, THOMAS laughs.
THOMAS
Sort of. So, there’s this
beautiful woman named Eurydice, she
was the most beautiful woman anyone
had ever laid eyes on.
As THOMAS tells the story, a flashback occurs, illustrating
what THOMAS is saying in a modern setting. There’s a young
woman, ELIANA,and THOMAS is playing a harmonica and watching
her from afar, while she rejects a suitor.
THOMAS (VO)
She had men and even a couple women
who fell in love with her just by
seeing her. But she wasn’t
interested in any of them, she was
already in love with someone. The
young man she loved was a musician
names Orpheus, he played music that
lifted people’s spirits, and she
was his inspiration.
ANDY (VO)
When is somebody going to get
eaten?
MARIE (VO)
Andrew, be polite and listen to the
story. Sorry.
THOMAS (VO)
It’s fine. Anyways, they fell in
love and they were going to get
married, but one man didn’t want
them to be happy. He wanted
Eurydice for himself, so he pursued
her relentlessly, trying to force
himself on her. When she ran, she
accidentally stepped on a venomous
snake, it attacked her, and she lay
there suffering until somebody
found her. Before they could get
her the help she needed though, she
died. Orpheus, became so depressed
that he played music that broke
hearts and made people weep. So
The gods told him to go and fetch
her soul from the underworld.
Cut to: THOMAS proposing to ELIANA and them embracing as she
accepts.
Cut to: A montage of the two of them making preparations for
their wedding.
Cut to: ELIANA walking home one night.
Cut to: A man following her, a close up on his face reveals
it to be her rejected suitor.
Cut to: ELIANA being chased by the man. He tackles her and
proceeds to violate her. He leaves her lying in her own
blood.
Cut to: A man finding the attacked young woman and getting
her to a hospital. She is saved, but broken, changed.
Cut to: ELIANA having nightmare’s and her mind
deteriorating.
Cut to: THOMAS crying and playing a piano and a friend
trying to comfort him.
ANDY (VO)
Awesome!
THOMAS (VO)
You bet buddy; so Orpheus went to
the underworld and encountered the
three-headed dog Cerberus and
lulled him to sleep by playing him
a song. Then he played his music
for The king and queen of the
underworld, and they offered him
the chance to have her back. They
told him to walk from the
underworld and Eurydice would
follow him. But there was a catch,
he wasn’t allowed to see her until
he was completely out of the
underworld.
ANDY (VO)
But then how would he know she was
there?
THOMAS (VO)
He had to have faith. So he left.
He walked and played music so that
she’d know where to follow him, he
was able to not look until they
made it to the threshold of the
underworld, but his faith had begun
to waver and he decided to turn
back and look. When he did he
watched as her spirit faded away,
back to the underworld as she
whispered his name.
Cut to: A montage of THOMAS visiting ELIANA in a mental
hospital multiple times. He tries to comfort her and plays
her music, which seems to bring her back little by little.
Cut to: THOMAS coming to the hospital and finding various
officials there, police, coroners, the nurses.
Cut to: THOMAS seeing ELIANA’S body hanging from a homemade
noose.
Cut to: THOMAS breaking down.
The flashback ends and ANDY is looking up at THOMAS
expectantly.
ANDY
And then what? He lost her
forever? What a dummy! He
shouldn’t have looked!
MARIE
Andrew be quiet.
THOMAS
No, it’s okay, Orpheus, should’ve
known better. He should’ve waited.
They’ve arrived in front of MARIE and ANDY’S apartment
building and they come to a stop.
MARIE
Well this, is us. It was really
nice meeting you, Tom.
THOMAS
Thanks for taking me this far, it
was great having the company.
MARIE
To find the building you’re looking
for just keep going down this
street and make a right, you’re
there.
THOMAS
Thank you, really. Take care.
He begins to walk away. Marie calls out to him.
MARIE
Hey! If you’re going to be in town
for a while, give me a call, I’d
wouldn’t mind hearing any other
stories you’ve got.
She gives Thomas her phone number.
THOMAS
Thanks, I’ll give you a call.
THOMAS sets off down the street. He goes where MARIE told
him to and he stops in front of the building. It’s
dilapidated and filthy. The once white walls, are covered
in dirt and grime, and the boards are breaking and falling
apart, as is the caution tape that billows in the wind.
THOMAS pulls the letter out of it’s envelope and reads it
over again. He starts crying as he looks between the letter
and the building.
THOMAS
I miss you so much, I’m sorry
Eliana.
FADE OUT
© Hashim Wright 2011, All Rights Reserved